Borrowed Future
Assistant Editor
A feature documentary about the US student loan crisis — a story that mattered, with a team that knew how to tell it. Working inside a professional editorial pipeline on a project like this taught me more about craft and collaboration than almost anything else. IMDb credited.
John Deere_Round1_Promo
Editor / Colorist / Audio
A 10-lesson curriculum built in collaboration with John Deere, distilled into a single compelling promo. The job was to find the thread — to make something educational feel worth watching before anyone knew they needed it.
Better Every Day_Summit_Intro
Editor / Colorist / Audio
An event opener lives or dies in the first ten seconds. I help conceptualize & built a PreViz & then handled the full edit, audio mix, and color grade for this live event intro at BuildWitt's Dirt World Summit — built to land in a room full of people who needed to feel something before the day even started.
MCB
Colorist / Sound Designer / Mixer
A brand film for Music City Boxing, Nashville. I took it through the full post pipeline — color grade, sound design, final mix. The subject had grit and energy; the job was making sure the finished film carried that, not just described it.
The Grove
Colorist
Director Justin Baker brought me on to color grade this feature film from scratch. No reference look, no template — just the story and the light it deserved. Building the visual language of an entire film is a different kind of responsibility, and one I take seriously. This one stayed with me. IMDb credited.
Financial Peace University Promo
Editor / Colorist / Sound Designer
Nine lessons. Over 100 sets and shooting conditions. I built a unified LUT to anchor the look across the entire series, then edited pieces, sound designed & color graded the full suite. The challenge wasn't just making each piece work — it was making them all feel like one thing.
The Dr. John Delony Show
Editor / Colorist / Audio
Tied to the release of Dr. Delony's book, this multi-cam production needed more than assembly — it needed shape. I brought in stock footage to lift the storytelling, handled the audio mix, completed the color grade, and helped make something genuinely hard-hitting out of content that deserved to be.